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MUSIC FEATURE visit stack.com.au deliberate effort to become, again, a music fan. ”When you’re younger it’s very uncomplicated – or, it felt very uncomplicated,” she says. ”Then it kind of gets very complicated around 14, and then it gets even more complicated when you start [making music] yourself. I think I was trying to connect more with my eight-yearold self… before you were Julia Jacklin on the set of the concerned about what was I Was Neon clip, photographed by Nick McKinlay cool, or before you felt like your musical taste defined who you were as a person. ”I [started] reconnecting with Celine Dion, and those big balladeers that definitely were my first introductions to music. But I was also listening to music that really spoke to me when I was an early teenager – like Silverchair, especially. I listened to a lot of Silverchair while I was making this record, which was kind of nice because I made it overseas, and it felt very homely.” On single Love, Try Not to Let Go, we’re reminded of the thing about Jacklin’s On her third album, Julia Jacklin's songwriting instincts string trembling songwriting which we love the most: the unhurried way her voice never competes nanothreads around your heart until you're utterly swaddled in her spell. with the instrumentation. It’s like a dolphin in We spoke to the artist about the magnificent PRE PLEASURE. the slipstream of a boat, or birds flying in a V. Jacklin says she’s been trying to ”unlearn” Words Zoë Radas aspects of her classical training for most of her music career, but still enjoys the comparison. ”I feel like people come to my shows and are evocative of the artist’s second m I gonna lose myself surprised about how good my voice is,” she album, 2019’s Crushing, which used again? I quite like the says a little hesitantly. ”When I’m recording I’m the colour in all its visuals. person that I am,” Julia not necessarily thinking about, ’How can I show ”I think I’m very self-referential Jacklin sings as she sashays around off my voice?’, it’s more about what’s going to in my aesthetics,” Jacklin tells a modest mid-century loungeroom, work the best for the song.When I play shows, STACK with a smile, going on to the browns and beiges of its walls that’s where I have a bit more fun with my praise her constant collaborator Nick and carpet recalling the same décor voice. Every record [I make], I want to express McKinlay – with whom she went of her debut album cover Don’t Let myself more vocally, but there’s also just selfto school in the Blue Mountains, the Kids Win. Colour appears in one PRE PLEASURE consciousness...” and shares a love of spontaneity particular hue most noticeable on by Julia Jacklin is and ”the same reference points for Julia’s person: neon green. It’s there out Aug 26, including on JB-exclusive red home, style and colour.” in her eyeshadow, her elbow-length Continue reading the full interview vinyl, via Liberation. During the writing of PRE gloves, and the ribbon of her hat online at stack.com.au PLEASURE, Jacklin made a (in the pastoral scenes). It’s totally INTERVIEW JULIA JACKLIN TOUR DATES: ”A Aug 7 - 14, 2022 XX XXXXX 2020 st214_OT.indd 1 st214_095_JuliaJacklin-PROOFED-AF.indd 1 ARLO PARKS Collapsed in Sunbeams NT: AUG 7 | VIC: AUG 9 &10 QLD: AUG 11 | NSW: AUG 13 | TAS: AUG 14 Album available at jbhifi.com.au 21/07/2022 4:23:25 PMam 26/7/2022 10:54
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