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MUSIC FEATURE visit stack.com.au Joel [Madden] saying ,"Our favourite artists are Rancid, Ben Lee and Morrissey,” and I just thought, 'OK, the times they are a-changing!' Now, none of it matters. It’s a big, cultural, cosmic soup. colour TBC Vinyl “Stronger and stranger every day” (Crooked Tree) is a wonderful philosophy to live by. Do you think those two descriptors aren't combined as often as they deserve to be? Yeah, my goal has always been to become more and more idiosyncratic, more unique, and at the same time more accessible, more successful, as I get older. There are lots of different ways you can live yourself. I say, get weirder and get better. That feels like the right trajectory for me. I'M FUN! by Ben Lee is out Aug 19, including The poorly-recorded, lo-fi, pianoon llimited edition and-voice bits in My Adventure glow-in-the-dark inexplicably add so much heart to an vinyl, via Warner. already heart-chockers love song. Why did you decide to include them? Thank you. Yeah, I love those. Darren and Sally Seltmann had done all of this beautiful Prince of positivity Ben Lee has crafted a rather astonishing guide to life in production on that song, and it was so lush and thick that I wanted to contrast it. It’s a funny his musical manifesto I'M FUN!. We put some questions to the insightful song, 'cos the choruses actually slow down a singer-songwriter; read the whole Q&A online. Words Zoë Radas little tempo-wise, which is something I haven’t done much. And because it was getting slower, it didn't feel right to make them bigger. So I fun. I guess it’s more just acknowledging what The excellent Like This or Like That poohpulled out my iPhone, popped it on the piano, we are really talking about when we talk about poohs binaries in music. Back when you and sang and played the choruses. Then we just art – we are talking about ourselves. But I have were an A-sehole, what did you consider the dropped them into the track, and it was a bit watched that kind of tribalising slowly dying. musical yin to your yang? magical. Thanks for noticing that! I remember the Good Charlotte guys were Well, that song doesnt exactly argue against one of the first of the next generation of artists the binary. Sure, it acknowledges that it is I met that had more of a 'streaming' mentality arbitrary and silly, but it still is useful in terms Continue reading the full Q&A with music, rather than my generation, that of explaining our values, dreams, fears... These online at stack.com.au had a 'record store' mentality. I remember are the games that make culture and society BEN LEE the We look back at the stories behind some of our favourite album covers. Joni Mitchell, Hejira (1976) L ong before Photoshop (at least 12 years in fact), Joni Mitchell combined a portrait of herself taken by famed photographer Norman Seef (in which she looked "haunted, like an [Ingmar] Bergman figure") with 14 other photos shot by her long-time friend and artistic collaborator Joel Berenstein. Berenstein captured these 10 AUGUST 2022 st214_091_MR4_BenLee-PROOFED-AF.indd 1 moody images while he and Mitchell were stopped at Wisconsin's foggy and frozen Lake Mendota, after a virulent ice storm. Wishing to communicate the album's themes of "melancholy and movement" and "romantic winter", Mitchell used an instrument called a Camera Lucida (nicknamed "Lucy") to play with the arrangements and sizes of the photos, eventually shooting one big negative with all the resized photos in place. "If I had done the cover as a collage, it would've looked much more primitive," she has explained. She's also said it's the album cover of which she's most proud: "A lot of work went into that," she attested in 1994. jbhifi.com.au 26/7/2022 10:56 am
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