Products in this catalogue
vi ‘he phrase “Let me entertain you" came across as a manic plea on Robbie Williams’ debut solo album. But here - as the opener of a generous collection of orchestra- and choir-augmented hits from the English superstar's extensive catalogue, to brate 25 years in the biz — it's more like a distinguished suggestion from the now mature (but still electric) artist. This track especially benefits from its new arrangement, with pops of fat brass and a breakbeat section of soulful female visit stack.com.au n her debut solo EP Amy She (of Aussie sibling three-piece Sheppard) delivers firefly-lit tales of love which will hurl you straight into your fave smalltown romance, while admiration for country music’s biggest balladeers is XXV by Robbie embraced with frank affection. The title . ’ Williams is out Sep i track has a distinctly western landscape 4 fates Ba tt 9, including on JB- i feel (down to the castanet flourishes) with Sep 16, includ gon euchishe transparent cute glockenspiel and rousing "woah- | pking, via Empire blue vinyl, via Sony. ohs"; lovelorn ballad Blue Guitar tells the captivating story of stumbling into an ex's acoustic show ("I know you saw me, though harmonies - but the entire album is alive with savvy details. you chose to ignore me... ‘cos you messed up the words to your Candy makes the most of puffing, chugging sax and Supreme is song’); and the best moments come in Sometimes You Learn, turned into gorgeous lounge, the interpolated strings from Gloria which breaks out the Shania-lane sass with a rising arpeggio Gaynor's / Will Survive soaring with fresh drama. XXVis a genuine melody and a line-dancing-ready rhythm, with that irresistible rediscovery, from the guy who's all about reworking his material; be extra heels-up snare. Amy may have left her fam flock, but a sure to get the deluxe version, to hear all three new tracks. AC country-pop career is well in the making. AC Rah) We look back at the stories behind some of our favourite album covers. LOE! Yeah Yeahs, Fever to Tell (2003) Yeah Yeahs frontwoman Karen O met. O's praise for the artist has been, in turn, plinary artist Cody Critcheloe in Oia] eur ace VaCe Reels bountiful queercore/art-punk scene, at il Oak) said, immediately tal out artistic sensibility. Selene renner g him to illustrate EAC aM ROnaN ots) 1 ele ULE COMO OE Cole has said. "And things all th i looks beautiful, and trashy — it's that feeling of New York."
| Name | Details |
|---|
