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Sorry, L- R: Louis O'Bryen, Asha Lorenz, Marco Pini, Lincoln Barrett, Campbell Baum, LOUIS O'BRYEN SORRY Agitation and anxiety flutter through the second LP from notoriously genre-chowing North London act Sorry, but you'll also experience a distinct cleansing of the brain by its close. We put some questions to the indie-rock duo- turned-five-piece's co-singer-songwriter Louis O'Bryen, all about the impressive Anywhere But Here. Words Zoé Radas = Cee) Ree ie Car) ee founded the band with eRe un | think dissonance in music is important to us. That give-and- take feeling when you go from dissonance to the resolve is very potent. | think when | listen to music, that's the stuff that draws me in most. So, that’s just what comes out naturally when we write music; if we don’t think about it too much, that's the stuff our brains produce. | don't think there's a line between discordance and harmony. | think they're playing off each other. | think as you grow older your view of life, people and the city around you changes... We were younger when we made 925 and had a more innocent, kind of tongue-in-cheek way of speaking about stuff, Anywhere But Here feels a bit more sincere and face-on; there's not much crypticness in the album. It wears its heart on its sleeve. So if 925 was innocent and youthful, Anywhere But Here is a bit older and more self-aware. Sometimes you need to throw sh-t aU LSet) NIELS Hcy > Anywhere But Here by Sort is out Oct 7 including on transparent bottle green vinyl, via Domino Urmmm, no, ally! | think that was a happy coincidence. A few people have mentioned that song and compared it to Wild World... Cat Stevens is great. The deer is reference to the line, “You said | always look like a deer in the headlights’, and | think that image is quite reflective of the song itself. Asha does all the artwork, and s0 it always correlates to the music That's important to us: we want the music, videos and artwork... to all come from the same place, and correlate Sometimes stuff like that happens quite naturally. For Step, our bassist Campbell Baum was in the studio with us and had his saxophone, so we just decided to lay some down for that song, and [it] ended up working really well. Sometimes you need to throw sh-t at the wall and see what sticks. ee. fd es OAC ee L jbhifi.com.au (iB HIMFT
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