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Current catalogue JB Hi-Fi - Valid from 01.11 to 30.11 - Page nb 70

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Catalogue JB Hi-Fi 01.11.2022 - 30.11.2022
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70 A TRACK-BY-TRACK OF MAJESTIC FOSSORA Sometimes when an artist says they ‘birthed’ an album it sounds pretentious or overly dramatic, right? How about Pte CRM em Ula Words Bryget Chrisfield mistress of constant reinvention and sonic exploration, one of Bjork's preferred pandemic pastimes was “domestic raving” in her cabin near Reykjavik, Iceland. She also found watching docos featuring time-lapse footage of spreading fungal networks fascinating, which informed Fossora's striking visual aesthetic: Bjérk as. glowing, teal, mushroom matriarch While Bjork's previous set, 2017's Utopia, looked skyward, Fossora's “biological techno” is decidedly terrestrial Exploring themes of death, survival and ecological meditation, Bjérk’s tenth album features contributions from her two children (Sindri Eldon and isad6ra Bjarkardottir Barney), Indonesian dance outfit Gabber Modus Operandi, Murmuri (a bass clarinet sextet) and Brooklyn-based singer serpentwithfeet. Prepare to be amazed. Here are thoughts on three of the album's stand-outs; read our entire track-by-track at stack.com.au. An epitaph for Hildur Runa Of Ancestress, Bjérk explained: "If | was a priest, it's what | would've said at the funeral.” The song, which opens with a reverberating gong, pairs chamberfolk instrumentation with melodic chimes. “Matrimort” — what a fabulous word! And the apple doesn't fall far from the tree, it seems, with Bjork singing of her mother later on in the track: “She invents words and adds syllables.” Fossora, too — this album's title - is a word of Bjérk's creation (a made-up, feminine version of the Latin word for ‘digger’. “lam her hopekeeper" — so beautifully put! And how heart-achingly glorious is the following sentiment: “When you die, you bring with you what you've given.” In a statement about this song, Bjork revealed, “It looks like a very simple lyric. But every single word in it was like | had given birth to an ostrich egg, because it had to be right.” Prior knowledge of the inspiration behind visit stack.com.au Birk photographed by Vidar Logi this song before pressing play makes it extra crushing, with Bjérk’s observations so deeply felt: “The doctors she despised/ Placed a pacemaker inside her.” Bjérk’s son Sindri supplies backing vocalss throughout, which adds an air of gravitas, and a ten-piece string section unleashes maximum pathos. Instrumentally, parts of this song evoke a healing sound-bath being invaded by industrial machinery - clashing textures, which are trademark Bjork but also suggest that her relationship with Hildur was complicated at times “The machine of her breathed all night/ While she rested/ Revealed her resilience/ And then it didn’t” - you'd think Ancestress would end here, with Hildur’s final breath. But this elegy continues until subtle instrumentation slowly withdraws while Bjork pays her last respects: “Translucent skin let go of/ A cold palm embalmed..." - we're officially undone. Ce Tyg erg ean connect?” Of Atopos, Bjérk herself politely requested at the time of release: “Because of the enormous importance of bass in this song, could you please play it loudly?” Created alongside Gabber Modus Operandi and featuring Kasimyn (one half of the duo), this lead single introduces Fossora’s recurring sonic motifs: Bjérk’s transformative vocals and inventive lyricism over beats of her own creation, plus bass clarinet sextet Aah, the way Bjérk rolls her ‘r’s (e.g “rrrrrrresonance’) is so incredibly intoxicating, as we absorb this track's minimal beat with discordant brass accents: "Pursuing the light too hard is a form of hiding.” During the thrashing, fungal rave bit, we're set adrift on memory bliss back to seedy underground clubs post-5am. “At last/We stayed in one place long enough/| To shoot down deep hyphae roots. Kasimyn also features on this title track. If you positioned subwoofers around your garden and pressed play, we swear Fossora's bass vibrations could stimulate plant growth. A deep, psychic shake-up, this cut really thumps - like vicious techno mashed up with a choral symphony. “Mycelium speed” - time to get the thesaurus out to brush up on our fungal lingo... @ > by Bjork is out now, via One Little Independent Ces) jbhificom.au iE HIFFI

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70 A TRACK-BY-TRACK OF MAJESTIC FOSSORA Sometimes when an artist says they ‘birthed’ an album it sounds pretentious or overly dramatic, right? How about Pte CRM em Ula Words Bryget Chrisfield mistress of constant reinvention and sonic exploration, one of Bjork's preferred pandemic pastimes was “domestic raving” in her cabin near Reykjavik, Iceland. She also found watching docos featuring time-lapse footage of spreading fungal networks fascinating, which informed Fossora's striking visual aesthetic: Bjérk as. glowing, teal, mushroom matriarch While Bjork's previous set, 2017's Utopia, looked skyward, Fossora's “biological techno” is decidedly terrestrial Exploring themes of death, survival and ecological meditation, Bjérk’s tenth album features contributions from her two children (Sindri Eldon and isad6ra Bjarkardottir Barney), Indonesian dance outfit Gabber Modus Operandi, Murmuri (a bass clarinet sextet) and Brooklyn-based singer serpentwithfeet. Prepare to be amazed. Here are thoughts on three of the album's stand-outs; read our entire track-by-track at stack.com.au. An epitaph for Hildur Runa Of Ancestress, Bjérk explained: "If | was a priest, it's what | would've said at the funeral.” The song, which opens with a reverberating gong, pairs chamberfolk instrumentation with melodic chimes. “Matrimort” — what a fabulous word! And the apple doesn't fall far from the tree, it seems, with Bjork singing of her mother later on in the track: “She invents words and adds syllables.” Fossora, too — this album's title - is a word of Bjérk's creation (a made-up, feminine version of the Latin word for ‘digger’. “lam her hopekeeper" — so beautifully put! And how heart-achingly glorious is the following sentiment: “When you die, you bring with you what you've given.” In a statement about this song, Bjork revealed, “It looks like a very simple lyric. But every single word in it was like | had given birth to an ostrich egg, because it had to be right.” Prior knowledge of the inspiration behind visit stack.com.au Birk photographed by Vidar Logi this song before pressing play makes it extra crushing, with Bjérk’s observations so deeply felt: “The doctors she despised/ Placed a pacemaker inside her.” Bjérk’s son Sindri supplies backing vocalss throughout, which adds an air of gravitas, and a ten-piece string section unleashes maximum pathos. Instrumentally, parts of this song evoke a healing sound-bath being invaded by industrial machinery - clashing textures, which are trademark Bjork but also suggest that her relationship with Hildur was complicated at times “The machine of her breathed all night/ While she rested/ Revealed her resilience/ And then it didn’t” - you'd think Ancestress would end here, with Hildur’s final breath. But this elegy continues until subtle instrumentation slowly withdraws while Bjork pays her last respects: “Translucent skin let go of/ A cold palm embalmed..." - we're officially undone. Ce Tyg erg ean connect?” Of Atopos, Bjérk herself politely requested at the time of release: “Because of the enormous importance of bass in this song, could you please play it loudly?” Created alongside Gabber Modus Operandi and featuring Kasimyn (one half of the duo), this lead single introduces Fossora’s recurring sonic motifs: Bjérk’s transformative vocals and inventive lyricism over beats of her own creation, plus bass clarinet sextet Aah, the way Bjérk rolls her ‘r’s (e.g “rrrrrrresonance’) is so incredibly intoxicating, as we absorb this track's minimal beat with discordant brass accents: "Pursuing the light too hard is a form of hiding.” During the thrashing, fungal rave bit, we're set adrift on memory bliss back to seedy underground clubs post-5am. “At last/We stayed in one place long enough/| To shoot down deep hyphae roots. Kasimyn also features on this title track. If you positioned subwoofers around your garden and pressed play, we swear Fossora's bass vibrations could stimulate plant growth. A deep, psychic shake-up, this cut really thumps - like vicious techno mashed up with a choral symphony. “Mycelium speed” - time to get the thesaurus out to brush up on our fungal lingo... @ > by Bjork is out now, via One Little Independent Ces) jbhificom.au iE HIFFI
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