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Words Amy Flower, Zoé Radas & Chris Mobbs OR RR ACCME a uraureu LET a RCL Evel itt before careening into the album's wild y Iron Lung — the backing track of which recording, as they couldn't nail it in the Ty RADIOHEAD THE BENDS (1995) By 1994, Radiohead had ridden the wave of a mas ror MM Te eM e ek SA miserable. Their record company w ed more of the same, MERU Se emucCI nes E mn and enone Ae celia) mies iter become their main c pirator), the bombastic, just Be Alcs g. High and Dry and the crushing (if you're not in a good headspace) Fake Plastic Trees follow, llad blueprint that Thom Yor ree Rau a visit stack.com.au gurgles Cement ould later Ta oe) Reem ce a Sis it ia eu Few albums of the '10s were anticipated with quite as much frothing and trembling as 25, Adele's follow-up to the record which broke her worldwide (2011's 27). "Hello, it's me,” came the vocalist's celestial greeting — as if in acknowledgement of fans’ unblushing hunger — impeccably-chosen lead single Hello, which also serves as opening track of this monolithic record. What follows showed listeners that Adele had matched her life's watershed moments of motherhood and quarter-lfe crisis with a distinct musical evolution, though her knack for heart-mincing melodies hadn't been left behind Side one includes the breezy and stunning pop-slam Send My Love to Your New Lover and the yearning belt-vehicle When We Were Young. On side two we get the resolute gospel jam River Lea, sensual acoustic guitar-led lament Million Years Ago, and ode to her son Angelo (whose adorable babbles feature in the intro and outro) in gigantic album closer Sweetest Devotion, which arguably stars the artist's most emotional delivery ever laid to track. 25 presented Adele as a woman in total control of her musicianship —and not without her vulnerabilities, though she was owning them too. A grab-bag of prestigious awards followed the LP like ducklings, including Grammy Awards for ‘Best Pop Album’, ‘Best Pop Vocal Album’ and ‘Album of the Year’ TOP TRACK: When We Were Young FAST FACT: Xavier Dolan, director of the Helo clip, said he intentionally had Adele use a nondescript flip-phone in the video so as not to distract from the story: “It makes me uncomfortable filming iPhones because | feel like 'm shooting a commercial,” he later said, "That's not what you want. You want to get ‘out of your own life; you want to enter someone else's. You want to travel somewhere.” 8 NOVEMBER 2022 QUEENS OF THE STONE AGE ( (1998 VERSION) (VINYL REISSUE) Arriving fully formed from the silica shards of Kyuss on the desiccated winds of Palm Desert came Queens of the Stone Age's brilliant eponymous debut. At once sparkly and filthy, a sound sourced in no small part by the signature move of tuning the guitars down two whole steps, the album kicks off with the fuzzy, driving Regular John, ‘rips you by the peyotes, and refuses to let go. With songs like The Bronze and Mexicola, Josh Homme showed the world his singular purview, his twisted riffs, and grooves. Homme's influence can still be heard in bands like King Buffalo and All Them Witches, and he was only just beginning, TOP TRACK: You Can‘t Quit Me Baby FAST FACT: Pear! Jam's Stone Gossard signed the band and released the album through his own label, Loosegroave Records jbhificom.au J HIFFE
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